As a way of introducing Sarah’s new work, ‘Northern Light’, which is now showing in the window room, I would like to share some thoughts that arose during some of the conversations we’ve had over the past few months….

 

Firstly, I suppose I was interested in how Sarah might use the space to make as well as show work. I was aware that Sarah had spent a number of days in the Margaret Harvey Gallery in Hertfordshire, creating an installation, for her solo show, making the work in situ…..Sitting in her studio I recall talking about the difficulties that come with this approach…making private work in a public space. The differences between losing oneself in the process of making that occurs in the studio, following an idea and an aesthetic for the pleasure of doing so, but also the danger of becoming too precious about the work before it is even seen. Also, the difficulty in carving out a chunk of time in the week to give oneself the time and space to focus, to make, to spend time with the work.

 

Maybe working outside the studio enables one to step outside of a comfort zone, to commit to a timeframe, to respond immediately to a space in a given timescale?….But also giving consideration to how the window room operates. Primarily it’s a social space, a shared space. I think it is fair to say that Sarah expressed an interest in using the space not only to make and show work, but also as an opportunity to consider the importance of contextualising the work.  The conversations and discussions that have come about through the use of the window room have never had a formal structure, yet these openings allow a chance to begin to articulate something of the work, for both artist and viewer, to find affinities and differences across practices.

 

So, having asked Sarah to ‘use’ the window room, I didn’t want to curate her work as such, but rather try to facilitate in a way that would be helpful to her being able to use the space…to be around if she needed a pair of hands, or in setting up a more formal way of us as a group of artists discussing her work in the window room, and her approach to the space. Therefore, ‘Northern Light’ is now showing in the window room, and we will have an informal get together, to which everyone is welcome, on Thursday 24 July at about 16:30pm. 

As a way of introducing Sarah’s new work, ‘Northern Light’, which is now showing in the window room, I would like to share some thoughts that arose during some of the conversations we’ve had over the past few months….

Firstly, I suppose I was interested in how Sarah might use the space to make as well as show work. I was aware that Sarah had spent a number of days in the Margaret Harvey Gallery in Hertfordshire, creating an installation, for her solo show, making the work in situ…..Sitting in her studio I recall talking about the difficulties that come with this approach…making private work in a public space. The differences between losing oneself in the process of making that occurs in the studio, following an idea and an aesthetic for the pleasure of doing so, but also the danger of becoming too precious about the work before it is even seen. Also, the difficulty in carving out a chunk of time in the week to give oneself the time and space to focus, to make, to spend time with the work.

Maybe working outside the studio enables one to step outside of a comfort zone, to commit to a timeframe, to respond immediately to a space in a given timescale?….But also giving consideration to how the window room operates. Primarily it’s a social space, a shared space. I think it is fair to say that Sarah expressed an interest in using the space not only to make and show work, but also as an opportunity to consider the importance of contextualising the work.  The conversations and discussions that have come about through the use of the window room have never had a formal structure, yet these openings allow a chance to begin to articulate something of the work, for both artist and viewer, to find affinities and differences across practices.

So, having asked Sarah to ‘use’ the window room, I didn’t want to curate her work as such, but rather try to facilitate in a way that would be helpful to her being able to use the space…to be around if she needed a pair of hands, or in setting up a more formal way of us as a group of artists discussing her work in the window room, and her approach to the space. Therefore, ‘Northern Light’ is now showing in the window room, and we will have an informal get together, to which everyone is welcome, on Thursday 24 July at about 16:30pm. 

Here is a short extract from Wednesday evening’s presentation in the window room by Mark Dixon, starring Anne Mie (who was very brave to volunteer). Luckily for the likes of me, who couldn’t make it along, David caught the moment on his mobile phone.

It would be good to see some comments from those who were there and add some context to this intriguing film. Over to you all….