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Throughout 2018 we will host artists in-residence working across a range of practices who will be developing new work within an atmosphere of collaboration. 

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Throughout 2018 we will host artists in-residence working across a range of practices who will be developing new work within an atmosphere of collaboration. 

Full details

January and February

During January and February we will be hosting Nastja Säde Rönkkö in residence at Wysing. This research residency has been supported by Frame Finland, HIAP and The Finnish Institute in London.

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February, June, August and November

Tessa Norton and her family will be in-residence four times during 2018 and will explore how the experience of parenthood has changed her perception of time, and the implications that this renewed perspective has for thinking about art.

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March to May

Brandon Covington Sam-Sumana, aka N-Prolenta, will be in-residence for two months during which time they will produce a monograph that will incorporate fifteen short essays. 

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March, June and September

Formerly Called (Tamar Clarke-Brown, Ibrahim Cissé, Atum Farah, Cédric Fauq, Georgia Lucas-Going, Elijah Maja, Olu Ogunnaike, Cindy Sissokho, Kefiloe Siwisa, Dominique White and others) will meet at Wysing across three retreats to reinforce their existing network of People of Colour operating within the visual arts.

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March, April and August

Phoebe Collings-James and Last Yearz Interesting Negro/ Jamila Johnson-Small will create a collaborative work embodied through a symbiotic relationship between dance, music and sculpture, asking what an anti-assimilationist practice might look and sound like in 2018. 

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May

Julia Crabtree & William Evans who were previously in residence in 2014 will return to Wysing to work with invited collaborators to expand upon key themes from recent research including botany, fungal ecologies, co-evolving, feminist sci-fi, bodies and critters.

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May, September, November and December

Joe Moran will work over three residencies with dancers and dramaturges to develop a body of research traversing expanded choreography, discourse and form conceived in a spirit of urgency, collectivity and self-definition.  

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July and August

Anna McMahon and Salote Tawale will research and develop new UK networks, including accessing collections of Fijian cultural objects held in Cambridge University Museums and developing a podcast series through interviews on gender, race, post-colonial theory, queerness, family, and food. 

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August, November and December

Rachael Rosen will be working with a small team of coders and performers, including Henry Rodrick, to develop a performance and playable archive for pOrtals; an ongoing collaborative world building and storytelling exercise.  

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August

Camae Ayewa, aka Moor Mother, will be in-residence ahead of Wysing’s 2018 music festival, on Saturday 1 September, at which she will be performing. 

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September

Sonic Cyberfeminisms (Robin Buckley, Annie Goh, Marlo De Lara, Jane Frances Dunlop, Natalie Hyacinth, Miranda Iossifidis, Louise Lawlor, Frances Morgan, Shanti Suki Osman and Marie Thompson) will develop a series of podcasts, broadcasts and a zine. 

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October

Leah Clements and collaborators Rebecca Bligh, Uma Breakdown, Elena Colman, Alice Hattrick and Lizzy Rose will form a new network of art practitioners who identify as ‘crip’, disabled, or otherwise non-conforming to standard ideas of good health.  

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December

Liv Wynter will work with a script writer and stage hand to develop a new installation and performance piece. 

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