Damaris Athene’s painting based practice examines how digital technology is altering the world around us and affecting how we interact with each other and our own bodies.
Wysing has a number of studios at its rural site, including a unique live/work studio, and artists are able to occupy studios for up to five years.
Colour, collage and pattern are central to Fiona Curran’s practice. Working across painting, textiles and installation her works explore real, imagined and sensed geographies where the relationships between external landscape and decorative interior, figure and ground, and surface and support are questioned.
Emanuela’s work is currently preoccupied with issues relating to power, inequality and gender inside and outside the art world. Taking inspiration from the everyday and current international affairs she instinctively reacts to communicate how our society imprints on us beliefs that constrain our way of thinking.
Robert Foster’s work explores the role of the artist as a conduit for revealing hidden forms of knowledge. He is interested in different religious practices and spiritual beliefs, using influences from his research to create paintings, sculpture, text and performance.
Bettina Furnée’s visual art practice is rooted in notions of site and uses found or original language as primary material. The work ranges from text and moving image to complex environmental installations and public realm commissions.
At the centre of Naomi Harwin’s practice is an interest in ideas surrounding part-hood relations, drawing particular focus to the the play between a 3 dimensional object and its representational parts.
Mae is a movement, visual and sound artist making multi-art performance interfacing movement with visual and sound material; experimental visual pieces with film, photography and drawing; and sound art with found objects and sounds.
Florian Roithmayr works with sculpture to generate and trace material transformations in the processes of making. The ambition in his work is to register the consequences of one surface or material yielding another through capturing the unexpected gestures that occur in the gap between mould and cast. His work consists of materials that create each other the moment they are put together.
Emma Smith has a social practice that is both research and production based and responds to site-specific issues. Her work investigates human relationship and in particular the ways in which we are connected without realising: the intimate, the invisible, the transient, the subconscious, and the remote.
Soheila Sokhanvari is a multi-media artist whose work is rooted in her Iranian heritage as a reflection of her experiences of loss of homeland in her childhood entwined with political events and collective trauma.
Caroline Wendling's work explores ideas of place and belonging through drawing, print and three-dimensional constructions. She attempts to give material form to the complex interconnectedness of our mental landscapes and the actual space we inhabit. Through this exploration she hopes to link memories with future aspirations and, somewhere in between, find 'home'.